By E. A. Seguy
Originally released in Paris in 1931, the photographs during this variation have been rendered in extraordinary colour through the pochoir process. The hard, labor-intensive process hired hand stenciling to use pigment to paper. A unmarried print may perhaps require as many as 100 stencils on the way to in attaining a intensity and texture just like watercolor or gouache work. The rate of the process quickly proved impractical and used to be deserted, making Seguy's Prisms a very fascinating rarity for artwork historians and creditors of artwork Deco and paintings Nouveau graphics.
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Additional resources for Prisms
Sample text
Prisms by E. A. Seguy
by George
4.4